15:1-21 This song is the most ancient we know of. It is a holy song, to the honour of God, to exalt his name, and celebrate his praise, and his only, not in the least to magnify any man. Holiness to the Lord is in every part of it. It may be considered as typical, and prophetical of the final destruction of the enemies of the church. Happy the people whose God is the Lord. They have work to do, temptations to grapple with, and afflictions to bear, and are weak in themselves; but his grace is their strength. They are often in sorrow, but in him they have comfort; he is their song. Sin, and death, and hell threaten them, but he is, and will be their salvation. The Lord is a God of almighty power, and woe to those that strive with their Maker! He is a God of matchless perfection; he is glorious in holiness; his holiness is his glory. His holiness appears in the hatred of sin, and his wrath against obstinate sinners. It appears in the deliverance of Israel, and his faithfulness to his own promise. He is fearful in praises; that which is matter of praise to the servants of God, is very dreadful to his enemies. He is doing wonders, things out of the common course of nature; wondrous to those in whose favour they are wrought, who are so unworthy, that they had no reason to expect them. There were wonders of power and wonders of grace; in both, God was to be humbly adored.

Verse 20. - Miriam, the prophetess. Miriam is regarded by the prophet Micah 6:4, as having had a share in the deliverance of Israel, and claims the prophetic gift in Numbers 12:2. Her claim appears to be allowed both in the present passage, and in Numbers 12:6-8. where the degree of her inspiration is placed below that of Moses. She is the first woman whom the Bible honours with the title of "prophetess." Prophetesses were common in Egypt at a much earlier date; and thus, that a woman should have the gift would have seemed no strange thing to the Hebrews. For examples of other prophetesses, see Judges 4:4; 2 Kings 22:14; Isaiah 8:3; Luke 2:36. The sister of Aaron. Compare Numbers 26:59. Miriam is generally regarded as the sister of Moses mentioned in Exodus 2:4-8, whose name is not there given. If so, she was considerably older than either Moses or Aaron. Took a timbrel By "a timbrel" our translators meant what is now called "a tambourine." Such instruments were common in Egypt (Wilkinson, Ancient Egyptians, vol. 1. p. 93), and in the representations are generally played by women. The separation of the men and women into distinct bands was an Egyptian custom; as likewise was the execution of dances by performers who accompanied their steps with music (ibid. vol. it. pp. 235, 301).

And Miriam the prophetess, the sister of Aaron,.... The same, it is highly probable, that is called the sister of Moses, Exodus 2:3, her name Miriam is the same as Mary with us, and signifies bitterness; and, as the Hebrews (x) observe, had it from the bitterness of the times, and the afflictions the Israelites endured and groaned under when she was born; which is a much more probable signification and reason of her name than what is given by others, that it is the same with Marjam, which signifies a drop of the sea; from whence, they fancy, came the story of Venus, and her name of Aphrodite, the froth of the sea: Miriam was a prophetess, and so called, not from this action of singing, here recorded of her, for so all the women that sung with her might be called prophetesses, though sometimes in Scripture prophesying intends singing; but rather from her having a gift of teaching and instructing, and even of foretelling things to come; for the Lord spoke by her as well as by Moses and Aaron, and she, with them, were the leaders of the people of Israel, sent to them of the Lord, see Numbers 12:2, she is particularly called the sister of Aaron, though she was likewise the sister of Moses; the reason is, that being older than Moses, she was Aaron's sister before his, and having lived all her days with Aaron almost, and very little with Moses, was best known by being the sister of Aaron; and it is possible she might be his own sister by father and mother's side, when Moses was by another woman; however, it is said of her, she

took a timbrel in her hand; and all the women went out after her with timbrels and with dances; timbrels were a sort of drums or tabrets, which being beat upon gave a musical sound, somewhat perhaps like our kettledrums; and though dances were sometimes used in religious exercises, yet the word may signify another kind of musical instruments, as "pipes" or "flutes" (y), as it is by some rendered; and by the Syriac and Arabic versions, "sistrums"; which were musical instruments much used by the Egyptians, and from whom the Israelitish women had these; and as they were going to keep a feast in the wilderness, they lent them to them, it is very probable, on that account; otherwise it is not easy to conceive what use the Israelites could have for them, and put them to during their hard bondage and sore affliction in Egypt: now with these they went out of the camp or tents into the open fields, or to the shore of the Red sea, and sung as Moses and the men of Israel did: to this the psalmist seems to refer in Psalm 68:25.

(x) Seder Olam Rabba, c. 3. p. 9. Dibre Hayamim, fol. 2. 2. (y) "cum fistulis", Junius & Tremellius, Piscator; "cum tibiis", Drusius; so Ainsworth.

20. Miriam the prophetess—so called from her receiving divine revelations (Nu 12:1; Mic 6:4), but in this instance principally from her being eminently skilled in music, and in this sense the word "prophecy" is sometimes used in Scripture (1Ch 25:1; 1Co 11:5).

took a timbrel—or "tabret"—a musical instrument in the form of a hoop, edged round with rings or pieces of brass to make a jingling noise and covered over with tightened parchment like a drum. It was beat with the fingers, and corresponds to our tambourine.

all the women went out after her with timbrels and with dances—We shall understand this by attending to the modern customs of the East, where the dance—a slow, grave, and solemn gesture, generally accompanied with singing and the sound of the timbrel, is still led by the principal female of the company, the rest imitating her movements and repeating the words of the song as they drop from her lips.

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