Lamentations 2:18 Sermons: Their heart cried to the LORD. O wall of the daughter of Zion, let tears run down like a river day and night. Give yourself no respite; do not let your tears cease.

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◄ Lamentations 2:18 ►

The hearts of the people cry out to the Lord. O wall of the Daughter of Zion, let your tears run down like a river day and night. Give yourself no relief, and your eyes no rest.

Sermons

The Entreaty of Anguish

J.R. Thomson

Lamentations 2:18, 19

Pulpit Commentary Homiletics

The Entreaty Of Anguish

Lamentations 2:18, 19

J.R. Thomson

This surely is one of those passages which justify the title of this book; these utterances are "lamentations" indeed; never did human sorrow make of language anything more resembling a wail than this.

I. THE SOULS FROM WHICH TEARFUL ENTEATIES ARISE The true language of passion - this utterance is lacking in coherence. The heart of the people cries aloud; the very walls of the city are invoked in their desolation to call upon the Lord. Clearly the distress is that of the inhabitants of the wretched city, of those survivors whose fate is sadder than that of those who fell by the sword.

II. THE CIRCUMSTANCES THAT OCCASION THE ENTREATY.

1. Personal want, suffering, and distress.

2. The spectacle of the woes of others, especially of children. Literature has no more agonizing picture than this of the young children fainting and dying of hunger in every street.

III. THE BEING TO WHOM THE SUPPLICATIONS OF THE ANGUISHED ARE ADDRESSED. In such circumstances vain is the help of man. Upon whom shall Jerusalem call but upon the Lord, the King of the city, the great Patron and Protector of the chosen nation, who has forsaken even his own people because they have forgotten him, and in whose favour alone is hope of salvation?

IV. THE CHARACTER OF THE ENTREATY URGED.

1. It is sorrowful, accompanied by many tears, flowing like a river and pausing not.

2. Earnest, as appears from the description - heart, eyes, and hands all uniting in the appeal with imploring prayer.

3. Continuous; for not only by day, but through the night watches, supplications ascend unto heaven, invoking compassion and aid. - T.

Biblical Illustrator

An that pass by clap their hands at thee.

Lamentations 2:15

Deriding the distressed

J. Udall.

1. God is wont to whip His children for their sins, by the multitude of unbelievers that hate the truth (Isaiah 10:5, 6; Jeremiah 25:9; Exodus 1:13, 14).

2. It is a property of a wicked heart, to insult over the distressed, whom we should pity and relieve (Psalm 35:15; Psalm 79:4; 2 Samuel 16:7, 8; Matthew 27:39).

3. The wicked seeing the godly afflicted, take occasion thereby to blaspheme God and His truth (Psalm 74:10, 18; 2 Kings 18:30, 35; 2 Kings 19:12).

4. There only is true joy and excellency where God's truth is rightly preached, and His name called upon (Psalm 50:2; Ezekiel 47:8, 9, 12).

(J. Udall.)

Exultation over the fallen

J. Parker, D. D.

Men are always ready to remind the fallen of the days of prosperity. It is hard to pass by a man who is thrown down without telling him what he might have been, what he once was, and how foolishly he has acted in forsaking the way in which he found prosperity and delight. We must expect this from all men. It is not in their nature to heal our diseases, to comfort our sorrows, to sympathise with us in the hour of desolation. The Psalmist complained, "Thou makest us a by-word among the heathen, a shaking of the head among the people." Wonderful things had been spoken of Zion in the better days. In proportion to our exaltation is our down throwing. "Beautiful for situation, the joy of the whole earth, is mount Zion," etc. "Out of Zion, the perfection of beauty, God hath shined." "How great is His goodness! and how great is His beauty! "But all this will go for notching where there has been moral apostasy, spiritual disobedience, or spiritual idolatry. Decoration is vanity. All that men can do in the beautifying of their lives is as rottenness if the heart itself be not in a healthy condition. Add to the bitterness of self-remorse the triumphant exultation of enemies who pass by, and say whether any humiliation can be deeper or more intolerable. Where, then, is hope to be found? In heaven. The God whom we have offended must be the God who can forgive us. Do not let us seek to placate our enemies, or turn their triumphing into felicitation: we have no argument with them; not a word ought we to have to say to such mockers; we must acquaint ourselves with God, and make ourselves at peace with heaven, and if a man's ways please the Lord, the Lord will make that man's enemies to be at peace with him.

(J. Parker, D. D.)

The call to prayer

W. F. Adeney, M. A.

This is not the first occasion on which the elegist has shown his faith in the efficacy of prayer. But hitherto he has only uttered brief exclamations in the middle of his descriptive passages. Now he gives a solemn call to prayer, and follows this with a deliberate full petition, addressed to God. This new and more elevated turn in the elegy is itself suggestive. The transition from lamentation to prayer is always good for the sufferer. The trouble that drives us to prayer is a blessing, because the state of a praying soul is a blessed state. Like the muezzin on his minaret, the elegist calls to prayer. But his exhortation is addressed to a strange object — to the wall of the daughter of Zion. This wall is to let its tears flow like a river. Browning has an exquisitely beautiful little poem apostrophising an old wall; but this is not done so as to leave out of account the actual form and nature of his subject. Walls can not only be beautiful and even sublime, as Mr. Ruskin has shewn in his Stones of Venice; they may also wreath their severe outlines in a multitude of thrilling associations. This is especially so when, as in the present instance, it is the wall of a city that we are contemplating. Such a wall is eloquent in its wealth of associations, and there is pathos in the thought of its mere age when this is considered in relation to the many men and women and children who have rested beneath its shadow at noon, or sheltered themselves behind its solid masonry amid the terrors of war. The walls that encircle the ancient English city of Chester and keep alive memories of medieval life, the bits of the old London wall that are left standing among the warehouses and offices of the busy mart of modern commerce, even the remote wall of China for quite different reasons, and many another famous wall, suggest to us multitudinous reflections. But the walls of Jerusalem surpass them all in the pathos of the memories that cling to their old grey stones. In personifying the wall of Zion, however, the Hebrew poet does not indulge in reflections such as these, which are more in harmony with the mild melancholy of Gray's "Elegy" than with the sadder mood of the mourning patriot. He names the wall to give unity and concreteness to his appeal, and to clothe it in an atmosphere of poetic fancy. But his sober thought in the background is directed towards the citizens whom that historic wall once enclosed. Let us look at the appeal in detail. First the elegist encourages a free outflow of grief, that tears should run like a river, literally, like a torrent — the allusion being to one of those steep watercourses which, though dry in summer, become rushing floods in the rainy season. This introduction shews that the call to prayer is not intended in any sense as a rebuke for the natural expression of grief, nor as a denial of its existence. The sufferers cannot say that the poet does not sympathise with them. There may be a deeper reason for this encouragement of the expression of grief as a preliminary to a call to prayer. The helplessness which it so eloquently proclaims is just the condition in which the soul is most ready to cast itself on the mercy of God. The first step towards deliverance will be to melt the glacier. The soul must feel before it can pray. Therefore the tears are encouraged to run like torrents, and the sufferer to give himself no respite, nor let the apple of his eye cease from weeping. Next the poet exhorts the object of his sympathy — this strange personification of the "wall of the daughter of Zion," under the image of which he is thinking of the Jews — to arise. The weeping is but a preliminary to more promising acts. The sufferer must be roused if he is to be saved from the disease of melancholia. He must be roused also if he would pray. True prayer is a strenuous effort of the soul, requiring the most wakeful attention and taxing the utmost energy of will. Therefore we must gird up our loins to pray just as we would to work, or run, or fight. Now the awakened soul is urged to cry out in the night, and in the beginning of the night watches — that is to say, not only at the commencement of the night, for this would require no rousing, but at the beginning of each of the three watches into which the Hebrews divided the hours of darkness — at sunset, at ten o'clock, and at two in the morning. The sufferer is to keep watch with prayer — observing his vespers, his nocturns, and his matins, not of course to fulfil forms, but because, since his grief is continuous, his prayer also must not cease. Proceeding with our consideration of the details of this call to prayer, we come upon the exhortation to pour out the heart like water before the face of the Lord. The image here used is not without parallel in Scripture (see Psalm 22:14). But the ideas are not just the same in the two cases. While the Psalmist thinks of himself as crushed and shattered, as though his very being were dissolved, the thought of the elegist has more action about it, with a deliberate intention and object in view. His image suggests complete openness before God. Nothing is to be withheld. The sufferer should tell the whole tale of his grief to God, quite freely, without any reserve, trusting absolutely to the Divine sympathy. The attitude of soul that is here recommended is in itself the very essence of prayer. The devotions that consist in a series of definite petitions are of secondary worth, and superficial in comparison with this outpouring of the heart before God. To enter into relations of sympathy and confidence with God is to pray in the truest, deepest way possible, or even conceivable. Even in the extremity of need, perhaps the best thing we can do is to spread out the whole case before God. It will certainly relieve our own minds to do so, and everything will appear changed when viewed in the light of the Divine presence. Perhaps we shall then cease to think ourselves aggrieved and wronged; for what are our deserts before the holiness of God? Passion is allayed in the stillness of the sanctuary, and the indignant protest dies upon our lips as we proceed to lay our case before the eyes of the All-Seeing. We cannot be impatient any longer; He is so patient with us, so fair, so kind, so good. Thus, when we cast our burden upon the Lord, we may be surprised with the discovery that it is not so heavy as we supposed. The secret of failure in prayer is not that we do not ask enough; it is that we do not pour out our hearts before God, the restraint of confidence rising from fear or doubt simply paralysing the energies of prayer. Jesus teaches us to pray not only because He gives us a model prayer, but much more because He is in Himself so true and full and winsome a revelation of God, that as we come to know and follow Him our lost confidence in God is restored. Then the heart that knows its own bitterness, and that shrinks from permitting the stranger even to meddle with its joy — how much more then with its sorrow? — can pour itself out quite freely before God, for the simple reason that He is no longer a stranger, but the one perfectly intimate and absolutely trusted Friend.

(W. F. Adeney, M. A.)

People

Jacob, Jeremiah

Places

Jerusalem, Zion

Topics

Aloud, Apple, Cause, Cease, Cried, Cry, Daily, Daughter, Drops, Eye, Flow, Flowing, Heart, Nightly, O, Relief, Respite, Rest, River, Run, Sorrow, Stand, Stream, Tears, Thyself, Torrent, Wall, Weeping, Zion

Outline

1. Jeremiah laments the misery of Jerusalem
20. He complains thereof to God

Dictionary of Bible Themes

Lamentations 2:18

5198 weeping

Library

Watch-Night Service
"Ye virgin souls, arise! With all the dead awake; Unto salvation wise; Oil in your vessels take: Upstarting at the MIDNIGHT CRY, Behold Your heavenly bridegroom nigh." Two brethren then offered prayer for the Church and the World, that the new year might be clothed with glory by the spread of the knowledge of Jesus.--Then followed the EXPOSITION Psalm 90:1-22 "Lord, thou hast been our dwelling place in all generations. Yea Jehovah, WE, they children, can say that thou hast been our home, our safe …
Charles Haddon Spurgeon—Spurgeon's Sermons Volume 2: 1856

Chel. The Court of the Women.
The Court of the Gentiles compassed the Temple and the courts on every side. The same also did Chel, or the Ante-murale. "That space was ten cubits broad, divided from the Court of the Gentiles by a fence, ten hand-breadths high; in which were thirteen breaches, which the kings of Greece had made: but the Jews had again repaired them, and had appointed thirteen adorations answering to them." Maimonides writes: "Inwards" (from the Court of the Gentiles) "was a fence, that encompassed on every side, …
John Lightfoot—From the Talmud and Hebraica

Appendix ix. List of Old Testament Passages Messianically Applied in Ancient Rabbinic Writings
THE following list contains the passages in the Old Testament applied to the Messiah or to Messianic times in the most ancient Jewish writings. They amount in all to 456, thus distributed: 75 from the Pentateuch, 243 from the Prophets, and 138 from the Hagiorgrapha, and supported by more than 558 separate quotations from Rabbinic writings. Despite all labour care, it can scarcely be hoped that the list is quite complete, although, it is hoped, no important passage has been omitted. The Rabbinic references …
Alfred Edersheim—The Life and Times of Jesus the Messiah

Departure from Ireland. Death and Burial at Clairvaux.
[Sidenote: 1148, May (?)] 67. (30). Being asked once, in what place, if a choice were given him, he would prefer to spend his last day--for on this subject the brothers used to ask one another what place each would select for himself--he hesitated, and made no reply. But when they insisted, he said, "If I take my departure hence[821] I shall do so nowhere more gladly than whence I may rise together with our Apostle"[822]--he referred to St. Patrick; "but if it behoves me to make a pilgrimage, and …
H. J. Lawlor—St. Bernard of Clairvaux's Life of St. Malachy of Armagh

That the Ruler Should be Discreet in Keeping Silence, Profitable in Speech.
The ruler should be discreet in keeping silence, profitable in speech; lest he either utter what ought to be suppressed or suppress what he ought to utter. For, as incautious speaking leads into error, so indiscreet silence leaves in error those who might have been instructed. For often improvident rulers, fearing to lose human favour, shrink timidly from speaking freely the things that are right; and, according to the voice of the Truth (Joh. x. 12), serve unto the custody of the flock by no means …
Leo the Great—Writings of Leo the Great

Lii. Concerning Hypocrisy, Worldly Anxiety, Watchfulness, and his Approaching Passion.
(Galilee.) ^C Luke XII. 1-59. ^c 1 In the meantime [that is, while these things were occurring in the Pharisee's house], when the many thousands of the multitude were gathered together, insomuch that they trod one upon another [in their eagerness to get near enough to Jesus to see and hear] , he began to say unto his disciples first of all [that is, as the first or most appropriate lesson], Beware ye of the leaven of the Pharisees, which is hypocrisy. [This admonition is the key to the understanding …
J. W. McGarvey—The Four-Fold Gospel

Lamentations
The book familiarly known as the Lamentations consists of four elegies[1] (i., ii., iii., iv.) and a prayer (v.). The general theme of the elegies is the sorrow and desolation created by the destruction of Jerusalem[2] in 586 B.C.: the last poem (v.) is a prayer for deliverance from the long continued distress. The elegies are all alphabetic, and like most alphabetic poems (cf. Ps. cxix.) are marked by little continuity of thought. The first poem is a lament over Jerusalem, bereft, by the siege, …
John Edgar McFadyen—Introduction to the Old Testament

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