2 Chronicles 4:13
the four hundred pomegranates for the two sets of network (two rows of pomegranates for each network covering both the bowl-shaped capitals atop the pillars);
the four hundred pomegranates
The pomegranate is a fruit that holds significant symbolism in the Bible, often representing fertility, abundance, and the law. In Hebrew, the word for pomegranate is "rimmôn," which is also a term used for a grenade, indicating its round shape and many seeds. The use of four hundred pomegranates in the temple's design underscores the theme of abundance and divine blessing. The number four hundred, a multiple of forty, often symbolizes a period of testing or trial, suggesting that the temple's beauty and abundance are a testament to God's faithfulness through Israel's trials.

for the two sets of network
The "network" refers to the intricate latticework or mesh that adorned the temple's pillars. In Hebrew, the word "sĕbākâ" is used, which can denote a net or lattice. This design element not only served an aesthetic purpose but also symbolized the interconnectedness of God's creation and the divine order. The two sets of network may represent the dual nature of God's covenant with Israel, encompassing both the spiritual and the physical realms.

two rows of pomegranates for each network
The repetition of "two rows" emphasizes the completeness and perfection in the temple's design. In biblical numerology, the number two often signifies witness and testimony. Thus, the two rows of pomegranates could symbolize the testimony of God's provision and the beauty of His creation. This design element serves as a reminder of the dual witness of God's law and grace, both of which are integral to the covenant relationship with His people.

to decorate the two bowl-shaped capitals
The "capitals" are the tops of the pillars, and their bowl shape is significant. In Hebrew, the word "kôtheret" is used for capitals, which can also mean crown. The bowl shape may symbolize a vessel of blessing, ready to be filled by God. The decoration of these capitals with pomegranates highlights the theme of divine beauty and abundance, serving as a crown of glory for the temple, which is the dwelling place of God's presence.

atop the pillars
The pillars themselves, named Jachin and Boaz, stood at the entrance of the temple and were significant in their own right. In Hebrew, "Jachin" means "He will establish," and "Boaz" means "In Him is strength." The placement of the decorated capitals atop these pillars signifies the establishment and strength of God's covenant with Israel. The pillars, with their ornate capitals, serve as a visual reminder of God's enduring promises and the strength found in His presence.

Persons / Places / Events
1. Solomon
The king of Israel who commissioned the building of the temple in Jerusalem, a central figure in the construction of the temple and its furnishings.

2. Hiram (Huram)
A skilled craftsman from Tyre, brought in by Solomon to oversee the creation of the temple's bronze work, including the pomegranates and capitals.

3. Temple of Solomon
The first temple built in Jerusalem, serving as the central place of worship for the Israelites and a symbol of God's presence among His people.

4. Pomegranates
Decorative elements used in the temple's design, symbolizing fruitfulness and abundance, often associated with the Promised Land.

5. Capitals and Pillars
Architectural features of the temple, with the capitals being the ornate tops of the pillars, signifying strength and beauty.
Teaching Points
Symbolism of Pomegranates
The pomegranates symbolize fruitfulness and abundance, reminding believers of the spiritual fruitfulness that comes from a life rooted in Christ.

Craftsmanship and Excellence
The detailed work of Hiram reflects the importance of using our God-given talents with excellence for His glory, encouraging believers to pursue excellence in their own work.

God's Presence and Holiness
The temple, with its intricate design, represents God's holy presence among His people, calling believers to live lives that reflect His holiness.

Legacy of Worship
The construction of the temple serves as a reminder of the importance of creating spaces and traditions that honor God and facilitate worship for future generations.
Bible Study Questions
1. How does the symbolism of pomegranates in the temple design relate to the concept of spiritual fruitfulness in the New Testament?

2. In what ways can we apply the principle of excellence in craftsmanship, as seen in Hiram's work, to our daily lives and vocations?

3. How does the presence of God in the temple compare to the indwelling of the Holy Spirit in believers today?

4. What lessons can we learn from the construction of the temple about the importance of creating spaces dedicated to worship and community?

5. How can the legacy of Solomon's temple inspire us to build a lasting legacy of faith in our own families and communities?
Connections to Other Scriptures
Exodus 28:33-34
The use of pomegranates in the design of the high priest's garments, symbolizing holiness and the beauty of God's creation.

1 Kings 7:18-20
A parallel account of the temple's construction, providing additional details about the pomegranates and the craftsmanship involved.

Jeremiah 52:22-23
A description of the temple's destruction, where the pomegranates are mentioned again, highlighting their significance in the temple's design.
Completeness in Christian ServiceW. Clarkson 2 Chronicles 4:11-22
People
Huram, Solomon
Places
Jordan River, Most Holy Place, Succoth, Zeredah
Topics
Apples, Bowl, Bowls, Capitals, Chapiters, Cover, Covering, Crowns, Cups, Decorating, Front, Globes, Hundred, Lines, Network, Networks, Pillars, Pomegranates, Pommels, Rows, Sets, Shaped, Wreath, Wreaths
Dictionary of Bible Themes
2 Chronicles 4:1-22

     5207   architecture

2 Chronicles 4:9-16

     4312   bronze

2 Chronicles 4:9-18

     4303   metals

2 Chronicles 4:10-16

     5272   craftsmen

2 Chronicles 4:11-13

     4450   fruit

2 Chronicles 4:11-16

     5211   art

2 Chronicles 4:12-16

     5531   skill

Library
The First Part
Of the Apocalyptical Commentaries, according to the Rule of the Apocalyptical Key, on the First Prophecy which is contained in the Seals and Trumpets; with an Introduction concerning the Scene of the Apocalypse. As it is my design to investigate the meaning of the Apocalyptical visions, it is requisite for me to treat, in the first place, of that celestial theatre to which John was called, in order to behold them, exhibited as on a stage, and afterwards of the prophecies in succession, examined by
Joseph Mede—A Key to the Apocalypse

Sanctification.
VI. Objections answered. I will consider those passages of scripture which are by some supposed to contradict the doctrine we have been considering. 1 Kings viii. 46: "If they sin against thee, (for there is no man that sinneth not,) and thou be angry with them, and deliver them to the enemy, so that they carry them away captives unto the land of the enemy, far or near," etc. On this passage, I remark:-- 1. That this sentiment in nearly the same language, is repeated in 2 Chron. vi. 26, and in Eccl.
Charles Grandison Finney—Systematic Theology

Chronicles
The comparative indifference with which Chronicles is regarded in modern times by all but professional scholars seems to have been shared by the ancient Jewish church. Though written by the same hand as wrote Ezra-Nehemiah, and forming, together with these books, a continuous history of Judah, it is placed after them in the Hebrew Bible, of which it forms the concluding book; and this no doubt points to the fact that it attained canonical distinction later than they. Nor is this unnatural. The book
John Edgar McFadyen—Introduction to the Old Testament

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