1 Chronicles 15:16-24 And David spoke to the chief of the Levites to appoint their brothers to be the singers with instruments of music… For traces of singing in connection with religious ceremonies, see Exodus 15:21; Judges 5:1; 1 Chronicles 13:8. It seems to have been cultivated in the "schools of the prophets" (1 Samuel 10:5). From the time of David's appointment of these Levites to this special department, "the services of the tabernacle and the temple were regularly choral, and a considerable section of the Levites was trained in musical knowledge, and set apart to conduct this part of the national worship." Reference may be made to the prejudices of the Puritans, the Scotch, and some sections of the older Nonconformists to music and song in Divine worship. Even Christian hymns have sometimes been introduced with difficulty, and any elaboration of the musical part of Divine worship is, even now, often regarded with anxiety. Such facts seem to us strange; but they are adequately explained by a wise estimate of the struggles and conflicts through which the Christian Church has passed. The conflict has often been over some non-essential, and even indifferent, matter; but this was only the outward seeming. The conflict really concerned vital principle. The trivial matter over which the fight seemed to wage gained an undue importance thus, and the relics of its fictitious value linger long with conservative-toned Christian people. Cultured Christian feeling may be safely left to decide the appropriate and the inappropriate in Church music and song; and no precise standards need be fixed for all classes of the Christian community. Historical associations properly affect the ritual of some. And successive generations of witnesses for the claims of spiritual life over ritual observance cannot fail to influence the practices of others. Still the development of the heart of music has greatly tended to unite all parties in the full dedication of this gilt to the service of the house of the Lord. As this subject has been previously treated, a simple outline may here suffice. I. MUSIC AND SONG SERVING GOD IN FAMILY SPHERES. It is often made a gracious power in the home. The home is a temple, and should always be thought of as a sanctuary of the Lord, to which should be brought the best gifts. II. MUSIC AND SONG SERVING GOD IN SPHERES OF PRIVATE CHRISTIAN WORK. During a recent period of distress in Manchester, some cultivated Christian ladies proved how the otherwise closed doors of the sick and suffering poor could be opened by the attractions of beautiful song. III. MUSIC AND SONG SERVING GOD IN PUBLIC CHURCH SERVICES. Show the importance of choirs in relation to the pathos and the pleasure of Christian worship. IV. MUSIC AND SONG SERVING GOD IN SPECIAL EFFORTS TO PREACH THE GOSPEL TO MASSES. As illustrated in the creation of hymns and tunes for evangelistic services, and in recent revival movements. Plead that the faculties and talents of music and song are for the Lord, and that they come under this twofold law: (1) they must be laid on his altar of service; and (2) they must be cultured for efficient use. - R.T. Parallel Verses KJV: And David spake to the chief of the Levites to appoint their brethren to be the singers with instruments of musick, psalteries and harps and cymbals, sounding, by lifting up the voice with joy. |