English Standard Version
Raise a song; sound the tambourine, the sweet lyre with the harp.
King James Bible
Take a psalm, and bring hither the timbrel, the pleasant harp with the psaltery.
American Standard Version
Raise a song, and bring hither the timbrel, The pleasant harp with the psaltery.
Take a psalm, and bring hither the timbrel: the pleasant psaltery with the harp.
English Revised Version
Take up the psalm, and bring hither the timbrel, the pleasant harp with the psaltery.
Webster's Bible Translation
Take a psalm, and bring hither the timbrel, the pleasant harp with the psaltery.
Psalm 81:2 Parallel
CommentaryKeil and Delitzsch Biblical Commentary on the Old Testament
The complaint now assumes a detailing character in this strophe, inasmuch as it contrasts the former days with the present; and the ever more and more importunate prayer moulds itself in accordance therewith. The retrospective description begins, as is rarely the case, with the second modus, inasmuch as "the speaker thinks more of the bare nature of the act than of the time" (Ew. 136, b). As in the blessing of Jacob (Genesis 49:22) Joseph is compared to the layer (בּן) of a fruitful growth (פּרת), whose shoots (בּנות) climb over the wall: so here Israel is compared to a vine (Genesis 49:22; גּפן פּריּח, Psalm 128:3), which has become great in Egypt and been transplanted thence into the Land of Promise. הסּיע, lxx μεταίρειν, as in Job 19:10, perhaps with an allusion to the מסעים of the people journeying to Canaan (Psalm 78:52).
(Note: Exod. Rabba, ch. 44, with reference to this passage, says: "When husbandmen seek to improve a vine, what do they do? They root (עוקרין) it out of its place and plant (שׁותלין) it in another." And Levit. Rabba, ch. 36, says: "As one does not plant a vine in a place where there are great, rough stones, but examines the ground and then plants it, so didst Thou drive out peoples and didst plant it," etc.)
Here God made His vine a way and a place (פּנּהּ, to clear, from פּנה, to turn, turn aside, Arabic fanija, to disappear, pass away; root פן, to urge forward), and after He had secured to it a free soil and unchecked possibility of extension, it (the vine) rooted its roots, i.e., struck them ever deeper and wider, and filled the earth round about (cf. the antitype in the final days, Isaiah 27:6). The Israelitish kingdom of God extended itself on every side in accordance with the promise. תּשׁלּח (cf. Ezekiel 17:6, and vegetable שׁלח, a shoot) also has the vine as its subject, like תּשׁרשׁ. Psalm 80:11-12 state this in a continued allegory, by the "mountains" pointing to the southern boundary, by the "cedars" to the northern, by the "sea" to the western, and by the "river" (Euphrates) to the eastern boundary of the country (vid., Deuteronomy 11:24 and other passages). צלּהּ and ענפיה are accusatives of the so-called more remote object (Ges. 143, 1). קציר is a cutting equals a branch; יונקת, a (vegetable) sucker equals a young, tender shoot; ארזי־אל, the cedars of Lebanon as being living monuments of the creative might of God. The allegory exceeds the measure of the reality of nature, inasmuch as this is obliged to be extended according to the reality of that which is typified and historical. But how unlike to the former times is the present! The poet asks "wherefore?" for the present state of things is a riddle to him. The surroundings of the vine are torn down; all who come in contact with it pluck it (ארה, to pick off, pluck off, Talmudic of the gathering of figs); the boar out of the wood (מיער with עין תלויה, Ajin)
(Note: According to Kiddushin, 30a, because this Ajin is the middle letter of the Psalter as the Waw of גחון, Leviticus 11:42, is the middle letter of the Tra. One would hardly like to be at the pains of proving the correctness of this statement; nevertheless in the seventeenth century there lived one Laymarius, a clergyman, who was not afraid of this trouble, and found the calculations of the Masora (e.g., that אדני ה occurs 222 times) in part inaccurate; vid., Monatliche Unterredungen, 1691, S. 467, and besides, Geiger, Urschrift und Uebersetzungen der Bibel, S. 258f.))
cuts it off (כּרסם, formed out of כּסם equals גּזם
(Note: Saadia appropriately renders it Arab. yqrḍhâ, by referring, as does Dunash also, to the Talmudic קרסם, which occurs of ants, like Arab. qrḍ, of rodents. So Peah ii. 7, Menachoth 71b, on which Rashi observes, "the locust (חגב) is accustomed to eat from above, the ant tears off the corn-stalk from below." Elsewhere קירסם denotes the breaking off of dry branches from the tree, as זרד the removal of green branches.))
viz., with its tusks; and that which moves about the fields (vid., concerning זיז, Psalm 50:11), i.e., the untractable, lively wild beast, devours it. Without doubt the poet associates a distinct nation with the wild boar in his mind; for animals are also in other instances the emblems of nations, as e.g., the leviathan, the water-serpent, the behemoth (Isaiah 30:6), and flies (Isaiah 7:18) are emblems of Egypt. The Midrash interprets it of Ser-Edom, and זיז שׂדי, according to Genesis 16:12, of the nomadic Arabs.
In Psalm 80:15 the prayer begins for the third time with threefold urgency, supplicating for the vine renewed divine providence, and a renewal of the care of divine grace. We have divided the verse differently from the accentuation, since שׁוּב־נא הבּט is to be understood according to Ges. 142. The junction by means of ו is at once opposed to the supposition that וכּנּה in Psalm 80:16 signifies a slip or plant, plantam (Targum, Syriac, Aben-Ezra, Kimchi, and others), and that consequently the whole of Psalm 80:16 is governed by וּפקד. Nor can it mean its (the vine's) stand or base, כּן (Bttcher), since one does not plant a "stand." The lxx renders וכנה: καὶ κατάρτισαι, which is imper. aor. 1. med., therefore in the sense of כּוננה.
(Note: Perhaps the Caph majusculum is the result of an erasure that required to be made, vid., Geiger, Urschrift, S. 295. Accordingly the Ajin suspensum might also be the result of a later inserted correction, for there is a Phoenician inscription that has יר (wood, forest); vid., Levy, Phnizisches Wrterbuch, S. 22.)
But the alternation of על (cf. Proverbs 2:11, and Arab. jn ‛lâ, to cover over) with the accusative of the object makes it more natural to derive כנה, not from כּנן equals כּוּן, but from כּנן Arab. kanna equals גּנן, to cover, conceal, protect (whence Arab. kinn, a covering, shelter, hiding-place): and protect him whom...or: protect what Thy right hand has planted. The pointing certainly seems to take כנה as the feminine of כּן (lxx, Daniel 11:7, φυτόν); for an imperat. paragog. Kal of the form כּנּה does not occur elsewhere, although it might have been regarded by the punctuists as possible from the form גּל, volve, Psalm 119:22. If it is regarded as impossible, then one might read כנּה. At any rate the word is imperative, as the following אשׁר, eum quem, also shows, instead of which, if כנה were a substantive, one would expect to find a relative clause without אשׁר, as in Psalm 80:16. Moreover Psalm 80:16 requires this, since פּקד על can only be used of visiting with punishment. And who then would the slip (branch) and the son of man be in distinction from the vine? If we take בנה as imperative, then, as one might expect, the vine and the son of man are both the people of God. The Targum renders Psalm 80:16 thus: "and upon the King Messiah, whom Thou hast established for Thyself," after Psalm 2:1-12 and Daniel 7:13; but, as in the latter passage, it is not the Christ Himself, but the nation out of which He is to proceed, that is meant. אמּץ has the sense of firm appropriation, as in Isaiah 44:14, inasmuch as the notion of making fast passes over into that of laying firm hold of, of seizure. Rosenmller well renders it: quem adoptatum tot nexibus tibi adstrinxisti.
The figure of the vine, which rules all the language here, is also still continued in Psalm 80:17; for the partt. fem. refer to גּפן ot refer, - the verb, however, may take the plural form, because those of Israel are this "vine," which combusta igne, succisa (as in Isaiah 33:12; Aramaic, be cut off, tear off, in Psalm 80:13 the Targum word for ארה; Arabic, ksḥ, to clear away, peel off), is just perishing, or hangs in danger of destruction (יאבדוּ) before the threatening of the wrathful countenance of God. The absence of anything to denote the subject, and the form of expression, which still keeps within the circle of the figure of the vine, forbid us to understand this Psalm 80:17 of the extirpation of the foes. According to the sense תּהי־ידך על
(Note: The תהי has Gaja, like שׂאו־זמרה (Psalm 81:3), בני־נכר (Psalm 144:7), and the like. This Gaja beside the Sheb (instead of beside the following vowel) belongs to the peculiarities of the metrical books, which in general, on account of their more melodious mode of delivery, have many such a Gaja beside Sheb, which does not occur in the prose books. Thus, e.g., יהוה and אלהים always have Gaja beside the Sheb when they have Rebia magnum without a conjunctive, probably because Rebia and Dech had such a fulness of tone that a first stroke fell even upon the Sheb-letters.)
coincides with the supplicatory כנה על. It is Israel that is called בּן in Psalm 80:16, as being the son whom Jahve has called into being in Egypt, and then called out of Egypt to Himself and solemnly declared to be His son on Sinai (Exodus 4:22; Hosea 11:1), and who is now, with a play upon the name of Benjamin in Psalm 80:3 (cf. Psalm 80:16), called אישׁ ימינך, as being the people which Jahve has preferred before others, and has placed at His right hand
(Note: Pinsker punctuates thus: Let Thy hand be upon the man, Thy right hand upon the son of man, whom, etc.; but the impression that ימינך and אמצתה לך coincide is so strong, that no one of the old interpreters (from the lxx and Targum onwards) has been able to free himself from it.)
Treasury of Scripture Knowledge
Then Miriam the prophetess, the sister of Aaron, took a tambourine in her hand, and all the women went out after her with tambourines and dancing.
I will also praise you with the harp for your faithfulness, O my God; I will sing praises to you with the lyre, O Holy One of Israel.
to the music of the lute and the harp, to the melody of the lyre.
Let us come into his presence with thanksgiving; let us make a joyful noise to him with songs of praise!
Sing praises to the LORD with the lyre, with the lyre and the sound of melody!
Awake, O harp and lyre! I will awake the dawn!
I will sing a new song to you, O God; upon a ten-stringed harp I will play to you,
Jump to PreviousBegin Corded Harp Hither Instrument Instruments Lyre Melody Music Play Playing Pleasant Psalm Psaltery Raise Song Sound Sounding Strike Sweet Tambour Tambourine Timbrel
Jump to NextBegin Corded Harp Hither Instrument Instruments Lyre Melody Music Play Playing Pleasant Psalm Psaltery Raise Song Sound Sounding Strike Sweet Tambour Tambourine Timbrel
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