Psalm 148:7

(with Revelation 15:3)

The highest forms under which we can now think are art-forms: the proportions of statuary and architecture, the colour of painting and music. The former are limited, and address a mere sense of beauty; but music addresses the heart, and has its vocation amongst the feelings, and covers their whole range. Hence music has been chosen to hold and express our conception of moral perfection. Nor is it an arbitrary choice, but is made for the reasons that music is the utterance of the heart, it is an expression of morality, and it is an infinite language. Before the sneer at heaven as a place of endless song can prevail, it must undo all this stout logic of the human heart. We so represent it because when we frame our conception of heaven or moral perfection we find certain things, and when we look into the nature and operation of music we find the same things; namely, obedience, sympathy, emotion, and adoration.

I. Obedience. The idea that is fastest gaining ground in all departments of thought is that of the reign of law—law always and everywhere, and nothing without its range. But under what art-form shall we express this? for expression we must have. There is an exactness in the laws of harmony that makes obedience to them specially fine and so fit to be a type of it.

The pleasure we feel in music springs from the obedience which is in it, and it is full only as the obedience is entire.

II. Music is, beyond all other arts, the expression and vehicle of sympathy. No other art, no other mode of impression, equals music in its power to awaken a common feeling. The orator approaches it, but he deals chiefly with convictions; and conviction is a slow and hard path to feeling, while music makes a direct appeal. The united action of the full chorus and orchestra is a perfect transcript, down to the last and finest particular, of perfected human society.

III. Music as an expression of feeling is a prophecy of that grander exercise of our nature for which we hope. It is the nature of feeling to express itself. Thought may stay behind silent lips; but when it becomes feeling, it runs to expression. Music is an illustration of this law of our emotions, and is the natural expression of deep feeling. History all along culminates in song. The summits of Jewish history from Miriam to David are vocal with psalms. In some supernal sense, music will be the vocation of humanity when its full redemption is come. The summit of existence is feeling, the summit of character is sympathy, and music is the art-form that links them together.

IV. Music is the truest and most nearly adequate, expression of the religious emotions, and so becomes prophetic of the destiny of man as a religious being. Music is creatively designed for religion, and not for anything else. It lends itself to almost every human feeling, down to the vilest, but always with suppression of its power. It is not until it is used for the expression of that wide range of feeling which we call religious that it discloses its full powers. Music is the art-path to God, in whom we live, and move, and have our being.

T. T. Munger, The Appeal to Life, p. 309.

References: Psalm 149:2.—Spurgeon, Sermons, vol. xvi., No. 963; Ibid., Morning by Morning, p. 266. Psalm 149:4.—G. Brooks, Outlines of Sermons, p. 98; Sermons for Boys and Girls, p. 115; Spurgeon, Evening by Evening, p. 120.

Psalm 148:8I. "Fulfilling His word." Somehow or other, then, His word is fulfilled in the devastation and disfigurement of that which His own hands have made; and the agent which inflicts it obeys some law as regular as that which governs the motion of a planet, although with more complex conditions. In the view of Him who sees all that has been, that is, that will be, there is beyond the immediate present the illimitable future; and in some way this present ruin most assuredly is preparing for that future. And, still more, behind the seen and the visible world there is the world invisible and moral; and, in ways which we do not suspect as yet, its high requirements may be, must be, thus provided for.

II. As we pass from the physical and inanimate world and enter the human, the spiritual, and the moral, the storm and wind become metaphorical expressions, having, however, real counterparts in the passions and the agency of man. Here, too, as elsewhere, we watch them fulfilling God's word. (1) The State is exposed to the storm of invasion and the storm of revolution. (2) The Church is exposed to the storm of persecution and of controversy. (3) The individual life is assailed by outward troubles and by inward storms of difficulty and doubt as to religious truth. Loyalty to known truth is the warrant of endurance among all the trials that may await us, that endurance which transforms the very fiercest blast into tender fulfilment of God's word of promise to those who are the special objects of His love.

H. P. Liddon, Christian World Pulpit, vol. xxv., p. 25.

Reference: Psalm 148:11-13.—Homiletic Quarterly, vol. ii., p. 261.

Psalm 148:12I. Think what it is to praise the Lord. Praise is the heart singing. When the love of our hearts is set on Jesus, the gladness goes with us everywhere: at home or at school, at work or at play.

II. Notice some reasons why we should all thus praise the Lord. (1) Because He has loved us and given Himself for us. (2) We are the only creatures in the world that can praise Him. (3) Praise is the only thing we can give to the Lord. (4) Loving praise is the only thing that can satisfy our loving Lord. (5) Everybody ought to praise the Lord now, because it is the happy work that we shall do in heaven.

M. G. Pearse, Sermons for Children, p. 121.

References: Psalm 148:12.—H. Jones, Christian World Pulpit, vol. xxviii., p. 70. Psalm 148:12, Psalm 148:13.—G. Dawson, Sermons on Daily Life and Duty, p. 64. Psalm 148:14.—G. Brooks, Outlines of Sermons, p. 138; Spurgeon, Evening by Evening, p. 261.