1 Kings 7:31
The opening to each stand inside the crown at the top was one cubit deep, with a round opening like the design of a pedestal, a cubit and a half wide. And around its opening were engravings, but the panels of the stands were square, not round.
The opening was inside the crown
This phrase refers to the design of the bronze stands crafted by Hiram for Solomon's temple. The "crown" here can be understood as the top part of the stand, which was likely ornate and served as a decorative element. In Hebrew, the word for "crown" is "כֶּתֶר" (keter), which often symbolizes authority and honor. The placement of the opening inside the crown suggests a design that is both functional and majestic, reflecting the glory and splendor of God's temple.

and it was round
The round shape of the opening signifies completeness and eternity, often associated with divine perfection in biblical symbolism. The Hebrew word for "round" is "עָגֹל" (agol), which can also imply something that is cyclical or continuous. This design choice may symbolize the eternal nature of God and His unending covenant with Israel.

a cubit and a half deep
The measurement of "a cubit and a half" indicates precision and intentionality in the construction of the temple furnishings. A cubit, approximately 18 inches, was a standard unit of measure in ancient Israel, derived from the length of the forearm. This specific depth suggests a balance between form and function, ensuring the stand's stability and utility while maintaining its aesthetic appeal.

Around the opening there was engraving
The presence of engraving around the opening highlights the artistry and craftsmanship involved in the temple's construction. The Hebrew word for "engraving" is "מִקְלָע" (mikla), which implies intricate and skillful work. This detail underscores the importance of beauty and creativity in worship, as the temple was not only a place of sacrifice but also a testament to the glory of God.

and the panels of the stands were square, not round
The contrast between the round opening and the square panels is significant. The square shape, represented by the Hebrew word "רָבוּעַ" (ravu'a), often symbolizes stability, order, and the earthly realm. This juxtaposition of round and square elements may reflect the harmony between heaven (round) and earth (square), illustrating the temple as a meeting place between God and His people.

Persons / Places / Events
1. Solomon
The king of Israel who commissioned the building of the temple and his palace, including the intricate designs described in this passage.

2. Hiram of Tyre
A skilled craftsman who was brought in to execute the detailed work on the temple and its furnishings, including the stands mentioned in this verse.

3. The Temple
The central place of worship for the Israelites, built by Solomon, which included various furnishings and decorations as described in 1 Kings 7.

4. The Stands
These were part of the temple furnishings, specifically designed to hold the basins used in the temple rituals.

5. Jerusalem
The city where the temple was built, serving as the spiritual and political center of Israel.
Teaching Points
Attention to Detail in Worship
The detailed description of the temple furnishings highlights the importance of reverence and care in our worship practices. Just as the temple was meticulously crafted, our worship should be intentional and heartfelt.

God's Provision of Skills
The involvement of skilled craftsmen like Hiram reminds us that God provides us with unique talents and abilities to serve His purposes. We should seek to use our gifts for His glory.

Symbolism and Meaning
The temple's design, including the stands, was rich with symbolism, pointing to deeper spiritual truths. In our study of Scripture, we should seek to understand the underlying meanings and how they apply to our lives.

The Role of Community in Worship
The construction of the temple involved many people working together, illustrating the importance of community in our spiritual lives. We are called to build each other up and work together for God's kingdom.
Bible Study Questions
1. How does the detailed craftsmanship of the temple furnishings reflect the nature of our worship today?

2. In what ways can we identify and use our God-given skills to serve in our local church or community?

3. How does understanding the symbolism in the temple's design enhance our appreciation of God's Word and His plans for us?

4. What parallels can we draw between the physical temple in Jerusalem and the spiritual temple described in the New Testament?

5. How can we foster a sense of community and collaboration in our church, similar to the teamwork seen in the building of Solomon's temple?
Connections to Other Scriptures
Exodus 31
This chapter describes the calling of Bezalel and Oholiab, skilled craftsmen filled with the Spirit of God to work on the tabernacle, paralleling Hiram's role in Solomon's temple.

2 Chronicles 4
Provides a parallel account of the temple furnishings, offering additional details and context to the description in 1 Kings 7.

1 Corinthians 3
Paul speaks of believers as God's temple, drawing a spiritual parallel to the physical temple and its intricate design, emphasizing the importance of holiness and dedication.
The LotusW. Balgarnie.
People
Boaz, David, Hiram, Huram, Jachin, Naphtali, Pharaoh, Solomon
Places
Hall of Judgment, Hall of Pillars, Hall of the Throne, House of the Forest of Lebanon, Jordan River, Most Holy Place, Succoth, Tyre, Zarethan
Topics
Across, Angle-plate, Base, Basework, Borders, Capital, Carvings, Chapiter, Circular, Crown, Cubit, Cut, Deep, Design, Designs, Engraving, Engravings, Foursquare, Frame, Gravings, Half, Inside, Measured, Mouth, Opening, Panels, Pedestal, Pillar, Projected, Round, Rounded, Sculpture, Sides, Square, Stand, Stands, Thereof, Upward, Within
Dictionary of Bible Themes
1 Kings 7:31

     4813   depth
     5306   engraving

1 Kings 7:13-45

     5272   craftsmen

1 Kings 7:13-50

     4348   mining

1 Kings 7:23-33

     4312   bronze

1 Kings 7:27-37

     5211   art

1 Kings 7:30-36

     5212   arts and crafts

Library
Gadara
There was a double Gadara. One at the shore of the Mediterranean sea: that was first called Gezer, 1 Kings 9:15. In Josephus, "Simon destroyed the city Gazara, and Joppe, and Jamnia."--And in the Book of the Maccabees, "And he fortified Joppe, which is on the sea, and Gazara, which is on the borders of Azotus." At length, according to the idiom of the Syrian dialect, Zain passed into Daleth; and instead of Gazara, it was called Gadara. Hence Strabo, after the mention of Jamnia, saith, "and there
John Lightfoot—From the Talmud and Hebraica

Hiram, the Inspired Artificer
BY REV. W. J. TOWNSEND, D.D. The Temple of Solomon was the crown of art in the old world. There were temples on a larger scale, and of more massive construction, but the enormous masses of masonry of the oldest nations were not comparable with the artistic grace, the luxurious adornments, and the harmonious proportions of this glorious House of God. David had laid up money and material for the great work, but he was not permitted to carry it out. He was a man of war, and blood-stained hands were
George Milligan—Men of the Bible; Some Lesser-Known

Whether any Preparation and Disposition for Grace is Required on Man's Part?
Objection 1: It would seem that no preparation or disposition for grace is required on man's part, since, as the Apostle says (Rom. 4:4), "To him that worketh, the reward is not reckoned according to grace, but according to debt." Now a man's preparation by free-will can only be through some operation. Hence it would do away with the notion of grace. Objection 2: Further, whoever is going on sinning, is not preparing himself to have grace. But to some who are going on sinning grace is given, as is
Saint Thomas Aquinas—Summa Theologica

A Discourse of the House and Forest of Lebanon
OF THE HOUSE OF THE FOREST OF LEBANON. ADVERTISEMENT BY THE EDITOR. That part of Palestine in which the celebrated mountains of Lebanon are situated, is the border country adjoining Syria, having Sidon for its seaport, and Land, nearly adjoining the city of Damascus, on the north. This metropolitan city of Syria, and capital of the kingdom of Damascus, was strongly fortified; and during the border conflicts it served as a cover to the Assyrian army. Bunyan, with great reason, supposes that, to keep
John Bunyan—The Works of John Bunyan Volumes 1-3

Adam and Zaretan, Joshua 3
I suspect a double error in some maps, while they place these two towns in Perea; much more, while they place them at so little a distance. We do not deny, indeed, that the city Adam was in Perea; but Zaretan was not so. Of Adam is mention, Joshua 3:16; where discourse is had of the cutting-off, or cutting in two, the waters of Jordan, that they might afford a passage to Israel; The waters rose up upon a heap afar off in Adam. For the textual reading "In Adam," the marginal hath "From Adam." You
John Lightfoot—From the Talmud and Hebraica

That the Ruler Should be a Near Neighbour to Every one in Compassion, and Exalted Above all in Contemplation.
The ruler should be a near neighbour to every one in sympathy, and exalted above all in contemplation, so that through the bowels of loving-kindness he may transfer the infirmities of others to himself, and by loftiness of speculation transcend even himself in his aspiration after the invisible; lest either in seeking high things he despise the weak things of his neighbours, or in suiting himself to the weak things of his neighbours he relinquish his aspiration after high things. For hence it is
Leo the Great—Writings of Leo the Great

Kings
The book[1] of Kings is strikingly unlike any modern historical narrative. Its comparative brevity, its curious perspective, and-with some brilliant exceptions--its relative monotony, are obvious to the most cursory perusal, and to understand these things is, in large measure, to understand the book. It covers a period of no less than four centuries. Beginning with the death of David and the accession of Solomon (1 Kings i., ii.) it traverses his reign with considerable fulness (1 Kings iii.-xi.),
John Edgar McFadyen—Introduction to the Old Testament

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