Psalm 139:1-24 O lord, you have searched me, and known me.… This lyric has always been the subject of praise. Aben Ezra said there was none like it in the five books. Lord Brougham spoke of it as "that singularly beautiful poem" Herder said that language utterly failed him in its exposition. Erskine of Llinlathen wanted this to be before him on his death-bed. The title ascribes it to David, an ascription corroborated by its originality and majesty and its correspondence with psalms undoubtedly Davidic. Probably the Aramaic colouring is a mere dialectic variation, existing during the whole period of Hebrew history, and occasionally coming to the front as circumstances suggested it. I. THE DIVINE OMNISCIENCE (vers. 1-6). The poet multiplies expressions to indicate how complete is God's knowledge of him. Whether he be at rest or in motion, in every posture and state, God knows him. Not only his outward acts, but the thoughts from which they spring are at once discerned. Nothing can escape Jehovah's eye, for He is behind and before, i.e. on all sides of man, and His hand is upon him to restrain and control. The strophe closes with a frank confession of the writer's impotence and awe. He cannot comprehend it, which is not strange, for how is the finite to comprehend the infinite? But he knows it and bows in reverence before the sublime truth. II. THE DIVINE OMNIPRESENCE (vers. 7-12). God is everywhere; not only above all as transcendent, but also through all and in all as immanent in nature. This thought is expanded and enforced by its application to all measures of space. Were man to scale the azure vault overhead, it would only confront him with the Divine personality; were he to sound unimaginable depths in the other direction, the result would be the same. H a man mounted on wings, not those of the sun (Malachi 4:2), nor of the wind (Psalm 18:10), but of the dawn, and pursued the farthest flight westward, if he should fly with the same swiftness as the first rays of the morning shoot from one end of the heavens to the other, still he would not get beyond the Divine presence. Beyond the sea, and far out of the sight of man, God's hand would lead him, and God's right hand grasp him. III. OMNIPOTENCE IN THE CREATION OF MAN (vers. 13-18). The singer revolves in mind the secret processes of man's birth and development, and gratitude overflows into praise. He sees how he has been made to differ from the inferior creation in constitution and destiny. It is a fearful distinction (Genesis 28:17). Any signal manifestation of Jehovah's presence, however favourable, inspires awe. The consideration of this single ease leads to the general statement that all God's works are marvellous, a statement which the writer reaffirms as from an experimental conviction of its truth. In the next verse the curious growth and unfolding of the embryo is referred to. It goes on in secret, as far from human vision as if it were deep down in some subterraneous cavern, but God sees it and directs the mysterious and complicated tissue, as if it were a piece of delicate embroidery. Even in its most rudimental form, invisible to any other ken, it is still open to His eyes, and He determines all its subsequent development, recording in His book the days to come, i.e. the various events and vicissitudes of life, even before one of them existed. Struck by this view of God's omniscience as embracing the beginning, the unfolding and the completion of all things, the singer bursts out into a recognition of its value. To him God's thoughts, i.e. His plans and purposes as displayed in these miracles of creation, are precious beyond measure. Nor are they few or slight, but amount to a vast sum, more numerous than the sands of the sea. They are ever before David as an object of adoring wonder, not by day only, but by night; not merely in the watches of the night, but even in his sleep. His meditations are continuous. His communion is unbroken. IV. THE PRACTICAL APPLICATION (vers. 19-24). The greater any man's nearness to God, the more intense is his abhorrence of the impiety which disowns or despises the living God. Nor does such a feeling indicate malevolence. "When a foul crime has been perpetrated, tender-hearted Christian women who would not harm a hair of the enemy's head, but would rather feed him, will express keen resentment, and will be disquieted in mind till they hear that the perpetrator has been convicted and duly punished." The conclusion of the strophe is striking. The poet returns to the opening words of the psalm, and prays for a new experience of Jehovah's searching scrutiny, that he may not be given over to self-conceit. The petition is a proof of humility. Although he had averred so strongly his aversion to the wicked, he prays that this may be no mere outward separation. The All-seeing Eye may detect in him some way that leads to sin and sorrow, though he is unconscious of it. Hence he entreats God to see and disclose it, and then taking his hand to lead him in a way which, unlike the way of the wicked (Psalm 1:6), does not perish, but ends in everlasting life. (T. W. Chambers, D. D.) Parallel Verses KJV: {To the chief Musician, A Psalm of David.} O LORD, thou hast searched me, and known me. |
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