5:1-9 Belshazzar bade defiance to the judgments of God. Most historians consider that Cyrus then besieged Babylon. Security and sensuality are sad proofs of approaching ruin. That mirth is sinful indeed, which profanes sacred things; and what are many of the songs used at modern feasts better than the praises sung by the heathens to their gods! See how God struck terror upon Belshazzar and his lords. God's written word is enough to put the proudest, boldest sinner in a fright. What we see of God, the part of the hand that writes in the book of the creatures, and in the book of the Scriptures, should fill us with awful thoughts concerning that part which we do not see. If this be the finger of God, what is his arm when made bare? And what is He? The king's guilty conscience told him that he had no reason to expect any good news from heaven. God can, in a moment, make the heart of the stoutest sinner to tremble; and there needs no more than to let loose his own thoughts upon him; they will give him trouble enough. No bodily pain can equal the inward agony which sometimes seizes the sinner in the midst of mirth, carnal pleasures, and worldly pomp. Sometimes terrors cause a man to flee to Christ for pardon and peace; but many cry out for fear of wrath, who are not humbled for their sins, and who seek relief by lying vanities. The ignorance and uncertainty concerning the Holy Scriptures, shown by many who call themselves wise, only tend to drive sinners to despair, as the ignorance of these wise men did.

5. In the same hour—that the cause of God's visitation might be palpable, namely, the profanation of His vessels and His holy name.

fingers of … hand—God admonishes him, not by a dream (as Nebuchadnezzar had been warned), or by a voice, but by "fingers coming forth," the invisibility of Him who moved them heightening the awful impressiveness of the scene, the hand of the Unseen One attesting his doom before the eyes of himself and his guilty fellow revellers.

against the candlestick—the candelabra; where the mystic characters would be best seen. Barnes makes it the candlestick taken from the temple of Jerusalem, the nearness of the writing to it intimating that the rebuke was directed against the sacrilege.

upon the plaster of the wall of the king's palace—Written in cuneiform letters on slabs on the walls, and on the very bricks, are found the perpetually recurring recital of titles, victories, and exploits, to remind the spectator at every point of the regal greatness. It is significant, that on the same wall on which the king was accustomed to read the flattering legends of his own magnificence, he beholds the mysterious inscription which foretells his fall (compare Pr 16:18; Ac 12:21-23).

part of the hand—the anterior part, namely, the fingers.