1 Kings 7:28
This was the design of the stands: They had side panels attached to uprights,
This was the design of the stands
The phrase introduces the intricate craftsmanship involved in the construction of the temple furnishings. The Hebrew word for "design" (מַעֲשֶׂה, ma'aseh) implies a work or deed, often used to describe skilled craftsmanship. This reflects the divine inspiration and wisdom granted to the artisans, reminiscent of Bezalel and Oholiab in Exodus, who were filled with the Spirit of God to create the Tabernacle's furnishings. The "stands" (מְכוֹנוֹת, mekhonot) were mobile bases for the lavers, showcasing the practical and aesthetic aspects of temple worship, emphasizing the order and beauty in God's house.

They had side panels
The "side panels" (מִסְגְּרוֹת, misgerot) were likely decorative and functional, providing both stability and beauty. The Hebrew root suggests a framework or enclosure, indicating that these panels were integral to the structure's integrity. This detail highlights the importance of both form and function in worship, where beauty and utility coexist to honor God. The panels may have been adorned with carvings, reflecting the artistry and devotion of the craftsmen, and symbolizing the intricate beauty of God's creation.

attached to uprights
The "uprights" (עַמּוּדִים, ammudim) were vertical supports, essential for the stability of the stands. The Hebrew term often refers to pillars or columns, symbolizing strength and support. In a broader biblical context, pillars are frequently associated with God's presence and covenant, as seen in the pillars of cloud and fire during the Exodus. The attachment of the panels to the uprights signifies the unity and coherence required in the service of God, where every part of the structure has its purpose and place, much like the body of Christ, where each member is vital to the whole.

Persons / Places / Events
1. Solomon
The king of Israel who commissioned the building of the temple and its furnishings, including the stands described in this passage.

2. Hiram of Tyre
A skilled craftsman who worked on the temple's bronze furnishings, including the stands.

3. The Temple in Jerusalem
The central place of worship for the Israelites, where these stands were used.

4. The Stands
Bronze structures used in the temple, intricately designed and part of the temple's furnishings.

5. The Bronze Sea
A large basin also made by Hiram, which was supported by the stands and used for ceremonial washing.
Teaching Points
The Importance of Skilled Workmanship
Just as Hiram's craftsmanship was essential for the temple, our skills and talents should be dedicated to God's service.

Symbolism in Temple Furnishings
The intricate design of the stands reflects the beauty and order of God's creation and His desire for excellence in worship.

The Role of the Temple
Understanding the temple's furnishings helps us appreciate the transition from the Old Covenant to the New Covenant, where Christ fulfills the law.

God's Presence Among His People
The temple was a physical representation of God's presence, reminding us that God desires to dwell with His people.

Our Bodies as Temples
As believers, we are called to honor God with our bodies, recognizing them as temples of the Holy Spirit.
Bible Study Questions
1. How does the craftsmanship of the temple furnishings reflect the importance of using our talents for God's glory?

2. In what ways do the temple furnishings, such as the stands, foreshadow the coming of Christ and the New Covenant?

3. How can we apply the concept of our bodies being temples of the Holy Spirit in our daily lives?

4. What lessons can we learn from the detailed descriptions of the temple furnishings about God's desire for order and beauty in worship?

5. How does understanding the role of the temple in the Old Testament enhance our appreciation of Christ's work and the New Testament teachings?
Connections to Other Scriptures
Exodus 31
Discusses Bezalel and Oholiab, craftsmen filled with the Spirit of God to create the tabernacle's furnishings, paralleling Hiram's role in Solomon's temple.

2 Chronicles 4
Provides a parallel account of the temple furnishings, offering additional details about the stands and their purpose.

1 Corinthians 3:16-17
Relates to the concept of the temple, emphasizing that believers are now the temple of God, highlighting the transition from physical to spiritual.

Hebrews 9:1-10
Discusses the earthly sanctuary and its furnishings, drawing a connection to the temple's role in foreshadowing Christ's ultimate sacrifice.

Revelation 21:22
Describes the New Jerusalem, where there is no temple because the Lord God Almighty and the Lamb are its temple, showing the fulfillment of the temple's purpose.
The LotusW. Balgarnie.
People
Boaz, David, Hiram, Huram, Jachin, Naphtali, Pharaoh, Solomon
Places
Hall of Judgment, Hall of Pillars, Hall of the Throne, House of the Forest of Lebanon, Jordan River, Most Holy Place, Succoth, Tyre, Zarethan
Topics
Attached, Base, Bases, Borders, Construction, Design, Fillets, Fixed, Frames, Framework, Joinings, Ledges, Manner, Panels, Sides, Square, Stands, Stays, Uprights
Dictionary of Bible Themes
1 Kings 7:13-45

     5272   craftsmen

1 Kings 7:13-50

     4348   mining

1 Kings 7:23-33

     4312   bronze

1 Kings 7:25-29

     4615   bull

1 Kings 7:27-37

     5211   art

Library
Gadara
There was a double Gadara. One at the shore of the Mediterranean sea: that was first called Gezer, 1 Kings 9:15. In Josephus, "Simon destroyed the city Gazara, and Joppe, and Jamnia."--And in the Book of the Maccabees, "And he fortified Joppe, which is on the sea, and Gazara, which is on the borders of Azotus." At length, according to the idiom of the Syrian dialect, Zain passed into Daleth; and instead of Gazara, it was called Gadara. Hence Strabo, after the mention of Jamnia, saith, "and there
John Lightfoot—From the Talmud and Hebraica

Hiram, the Inspired Artificer
BY REV. W. J. TOWNSEND, D.D. The Temple of Solomon was the crown of art in the old world. There were temples on a larger scale, and of more massive construction, but the enormous masses of masonry of the oldest nations were not comparable with the artistic grace, the luxurious adornments, and the harmonious proportions of this glorious House of God. David had laid up money and material for the great work, but he was not permitted to carry it out. He was a man of war, and blood-stained hands were
George Milligan—Men of the Bible; Some Lesser-Known

Whether any Preparation and Disposition for Grace is Required on Man's Part?
Objection 1: It would seem that no preparation or disposition for grace is required on man's part, since, as the Apostle says (Rom. 4:4), "To him that worketh, the reward is not reckoned according to grace, but according to debt." Now a man's preparation by free-will can only be through some operation. Hence it would do away with the notion of grace. Objection 2: Further, whoever is going on sinning, is not preparing himself to have grace. But to some who are going on sinning grace is given, as is
Saint Thomas Aquinas—Summa Theologica

A Discourse of the House and Forest of Lebanon
OF THE HOUSE OF THE FOREST OF LEBANON. ADVERTISEMENT BY THE EDITOR. That part of Palestine in which the celebrated mountains of Lebanon are situated, is the border country adjoining Syria, having Sidon for its seaport, and Land, nearly adjoining the city of Damascus, on the north. This metropolitan city of Syria, and capital of the kingdom of Damascus, was strongly fortified; and during the border conflicts it served as a cover to the Assyrian army. Bunyan, with great reason, supposes that, to keep
John Bunyan—The Works of John Bunyan Volumes 1-3

Adam and Zaretan, Joshua 3
I suspect a double error in some maps, while they place these two towns in Perea; much more, while they place them at so little a distance. We do not deny, indeed, that the city Adam was in Perea; but Zaretan was not so. Of Adam is mention, Joshua 3:16; where discourse is had of the cutting-off, or cutting in two, the waters of Jordan, that they might afford a passage to Israel; The waters rose up upon a heap afar off in Adam. For the textual reading "In Adam," the marginal hath "From Adam." You
John Lightfoot—From the Talmud and Hebraica

That the Ruler Should be a Near Neighbour to Every one in Compassion, and Exalted Above all in Contemplation.
The ruler should be a near neighbour to every one in sympathy, and exalted above all in contemplation, so that through the bowels of loving-kindness he may transfer the infirmities of others to himself, and by loftiness of speculation transcend even himself in his aspiration after the invisible; lest either in seeking high things he despise the weak things of his neighbours, or in suiting himself to the weak things of his neighbours he relinquish his aspiration after high things. For hence it is
Leo the Great—Writings of Leo the Great

Kings
The book[1] of Kings is strikingly unlike any modern historical narrative. Its comparative brevity, its curious perspective, and-with some brilliant exceptions--its relative monotony, are obvious to the most cursory perusal, and to understand these things is, in large measure, to understand the book. It covers a period of no less than four centuries. Beginning with the death of David and the accession of Solomon (1 Kings i., ii.) it traverses his reign with considerable fulness (1 Kings iii.-xi.),
John Edgar McFadyen—Introduction to the Old Testament

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