I have tried to think of Him coming into young manhood in that Nazareth home. He is twenty now, with a daily round something like this: up at dawn likely -- He was ever an early riser -- chores about the place, the cow, maybe, and the kindling and fuel for the day, helping to care for the younger children, then off down the narrow street, with a cheery word to passers-by, to the little low-ceilinged carpenter shop, for -- eight hours? -- more likely ten or twelve. Then back in the twilight; chores again, the evening meal, helping the children of the home in difficulties that have arisen to fill their day's small horizon, a bit of quiet talk with His mother about family matters, maybe, then likely off to the hilltop to look out at the stars and talk with the Father; then back again, slipping quietly into the bedroom, sharing sleeping space in the bed with a brother. And then the sweet rest of a laboring man until the gray dawn broke again.

And that not for one day, every day, a year of days -- years. He's twenty-five now, feeling the thews of his strength; twenty-seven, twenty-nine, still the old daily round. Did no temptation come those years to chafe a bit and fret and wonder and yearn after the great outside world? Who that knows such a life, and knows the tempter, thinks he missed those years, and their subtle opportunity? Who that knows Jesus thinks that He missed such an opportunity to hallow forever, fragantly hallow, home, with its unceasing round of detail, and to cushion, too, its every detail with a sweet strong spirit? Who thinks He missed that chance of fellowship with the great crowd of His race of brothers?

"In the shop of Nazareth
Pungent cedar haunts the breath.
'Tis a low Eastern room,
Windowless, touched with gloom.
Workman's bench and simple tools
Line the walls. Chests and stools,
Yoke of ox, and shaft of plow,
Finished by the Carpenter
Lie about the pavement now.

"In the room the Craftsman stands,
Stands and reaches out His hands.

"Let the shadows veil His face
If you must, and dimly trace
His workman's tunic, girt with bands
At His waist. But His hands --
Let the light play on them;
Marks of toil lay on them.
Paint with passion and with care
Every old scar showing there
Where a tool slipped and hurt;
Show each callous; be alert
For each deep line of toil.
Show the soil
Of the pitch; and the strength
Grip of helve gives at length.

"When night comes, and I turn
From my shop where I earn
Daily bread, let me see
Those hard hands; know that He
Shared my lot, every bit:
Was a man, every whit.

"Could I fear such a hand
Stretched toward me? Misunderstand
Or mistrust? Doubt that He
Meets me full in sympathy?

"Carpenter' hard like Thine
Is this hand -- this of mine;
I reach out, gripping Thee,
Son of Man, close to me,
Close and fast, fearlessly."[6]

To-day up yonder on the throne there's a Man -- kin to us, bone of our bone, heart of our heart, toil of our toil. He -- knows. If you'll listen very quietly, you'll hear His voice reaching clear down to you saying, with a softness that thrills, "Steady -- steady -- I know it all. I'm watching and feeling and helping. Up yonder is the hill top and the glory sun and the wondrous air. Steady a bit. Stay up with Me on the glory side of your cloud, though your feet scratch the clay." Surely there's more of God since Jesus went back!