Little do most people know how much there is to learn -- what variety of character, as well as variety of motion, may be distinguished by the practised ear in a "charm of birds" -- from the wild cry of the missel-thrush, ringing from afar in the first bright days of March a passage of one or two bars repeated three or four times, and then another and another, clear and sweet and yet defiant -- for the great "storm-cock" loves to sing when rain and wind is coming on, and faces the elements as boldly as he faces hawk and crow -- down to the delicate warble of the wren, who slips out of his hole in the brown bank where he has huddled through the frost with wife and children, all folded in each other's arms like human beings. Yet even he, sitting at his house-door in the low sunlight, says grace for all mercies in a song so rapid, so shrill, so loud, and yet so delicately modulated, that you wonder at the amount of soul within that tiny body; and then stops suddenly, like a child that has said its lesson or got to the end of a sermon, gives a self-satisfied flirt of his tail, and goes in again to sleep. Prose Idylls. 1866. |