1 Kings 7:36
He engraved cherubim, lions, and palm trees on the surfaces of the supports and panels, wherever each had space, with wreaths all around.
He carved
The act of carving in ancient times was a skilled craft, often reserved for the most talented artisans. The Hebrew word used here, "פָּתַח" (pathach), implies an intricate and deliberate process. This reflects the care and dedication Solomon put into the Temple's construction, symbolizing the importance of worship and the reverence due to God.

cherubim
Cherubim are angelic beings often associated with the presence of God. In the Hebrew Bible, they are depicted as guardians of sacred spaces. Their inclusion in the Temple's design signifies the holiness of the place and the divine protection over it. The cherubim remind us of the Garden of Eden, where they guarded the way to the Tree of Life, symbolizing the restoration of communion with God.

lions
Lions are symbols of strength and majesty. In the context of Solomon's Temple, they represent the power and sovereignty of God. The lion is also a symbol of the tribe of Judah, from which the Davidic line, including Solomon, descends. This imagery reinforces the legitimacy and divine approval of Solomon's reign.

palm trees
Palm trees are often associated with victory and peace in the Bible. Their presence in the Temple's design could symbolize the peace and prosperity that Solomon's reign brought to Israel. The palm tree is also a reminder of the Feast of Tabernacles, a time of celebration and remembrance of God's provision.

on the surfaces of the supports and panels
This phrase indicates the comprehensive nature of the decoration. The Hebrew word for "supports" (מִסְגְּרוֹת, misgerot) and "panels" (מִסְגְּרוֹת, misgerot) suggests a structural and aesthetic function. The detailed carvings on every available surface highlight the beauty and intricacy of God's dwelling place, encouraging believers to offer their best in service to God.

wherever each had space
This phrase emphasizes the thoroughness and intentionality of the design. Every available space was utilized to glorify God, reflecting the idea that no part of our lives should be devoid of His presence. It challenges believers to fill every aspect of their lives with worship and dedication to God.

with wreaths all around
Wreaths are symbols of victory and honor. In the context of the Temple, they may represent the victory of God's people and the honor due to Him. The circular nature of wreaths also symbolizes eternity, reminding us of God's eternal nature and the everlasting covenant with His people.

Persons / Places / Events
1. Solomon
The king of Israel who commissioned the building of the temple and his palace. Known for his wisdom and wealth, Solomon's reign is marked by significant architectural achievements.

2. Hiram of Tyre
A skilled craftsman from Tyre who was brought to work on the temple and Solomon's palace. He was renowned for his expertise in bronze work.

3. The Temple and Solomon's Palace
These structures were central to Israel's worship and governance. The temple was the dwelling place of God's presence, while the palace was the king's residence.

4. Cherubim, Lions, and Palm Trees
These are the decorative motifs used in the temple and palace. Cherubim are angelic beings, lions symbolize strength and royalty, and palm trees represent victory and peace.

5. Wreaths
Decorative elements that symbolize honor and victory, often used in ancient Near Eastern art.
Teaching Points
The Importance of Beauty in Worship
The detailed engravings in the temple and palace remind us that beauty and artistry can be expressions of worship and reverence for God.

Symbolism in Scripture
The use of cherubim, lions, and palm trees in the temple's design reflects deeper spiritual truths—protection, strength, and peace—that are central to God's relationship with His people.

God's Dwelling Among His People
The temple was a physical representation of God's presence with Israel. Today, believers are the temple of the Holy Spirit, called to reflect God's glory in their lives.

Attention to Detail in Service to God
Solomon's careful attention to the temple's design teaches us the value of diligence and excellence in our service to God.

Legacy of Faith
Solomon's temple was a lasting legacy of his faith and dedication to God. We are encouraged to consider what spiritual legacies we are building in our own lives.
Bible Study Questions
1. How do the artistic elements in Solomon's temple reflect the character and attributes of God?

2. In what ways can we incorporate beauty and creativity into our own worship practices today?

3. How does the presence of cherubim in the temple connect to their role in other parts of Scripture, such as in Genesis and Revelation?

4. What does it mean for believers to be the temple of the Holy Spirit, and how should this influence our daily lives?

5. How can we ensure that our work and service to God are marked by excellence and attention to detail, as seen in Solomon's construction of the temple?
Connections to Other Scriptures
Exodus 25-31
These chapters describe the construction of the Tabernacle, which also included detailed artistic designs, including cherubim. This connection highlights the continuity of worship practices from the Tabernacle to the Temple.

2 Chronicles 3-4
These chapters provide a parallel account of the temple's construction, offering additional details and emphasizing the grandeur of Solomon's building projects.

Ezekiel 41
This chapter describes the vision of a future temple, which also includes detailed artistic designs, showing the importance of beauty and symbolism in places of worship.
The LotusW. Balgarnie.
People
Boaz, David, Hiram, Huram, Jachin, Naphtali, Pharaoh, Solomon
Places
Hall of Judgment, Hall of Pillars, Hall of the Throne, House of the Forest of Lebanon, Jordan River, Most Holy Place, Succoth, Tyre, Zarethan
Topics
Additions, Available, Borders, Carved, Cherubim, Cherubs, Clear, Designs, Edges, Engraved, Flat, Frames, Garlands, Graved, Ledges, Lions, Ones, Openeth, Ornamented, Palm, Palm-trees, Panels, Plates, Proportion, Round, Sides, Space, Spaces, Spokes, Stays, Supports, Surfaces, Tablets, Thereof, Trees, Void, Winged, Wreaths
Dictionary of Bible Themes
1 Kings 7:36

     4150   cherubim
     4666   lion
     5306   engraving
     5574   tablet

1 Kings 7:13-45

     5272   craftsmen

1 Kings 7:13-50

     4348   mining

1 Kings 7:27-37

     5211   art

1 Kings 7:30-36

     5212   arts and crafts

1 Kings 7:34-37

     5211   art

Library
Gadara
There was a double Gadara. One at the shore of the Mediterranean sea: that was first called Gezer, 1 Kings 9:15. In Josephus, "Simon destroyed the city Gazara, and Joppe, and Jamnia."--And in the Book of the Maccabees, "And he fortified Joppe, which is on the sea, and Gazara, which is on the borders of Azotus." At length, according to the idiom of the Syrian dialect, Zain passed into Daleth; and instead of Gazara, it was called Gadara. Hence Strabo, after the mention of Jamnia, saith, "and there
John Lightfoot—From the Talmud and Hebraica

Hiram, the Inspired Artificer
BY REV. W. J. TOWNSEND, D.D. The Temple of Solomon was the crown of art in the old world. There were temples on a larger scale, and of more massive construction, but the enormous masses of masonry of the oldest nations were not comparable with the artistic grace, the luxurious adornments, and the harmonious proportions of this glorious House of God. David had laid up money and material for the great work, but he was not permitted to carry it out. He was a man of war, and blood-stained hands were
George Milligan—Men of the Bible; Some Lesser-Known

Whether any Preparation and Disposition for Grace is Required on Man's Part?
Objection 1: It would seem that no preparation or disposition for grace is required on man's part, since, as the Apostle says (Rom. 4:4), "To him that worketh, the reward is not reckoned according to grace, but according to debt." Now a man's preparation by free-will can only be through some operation. Hence it would do away with the notion of grace. Objection 2: Further, whoever is going on sinning, is not preparing himself to have grace. But to some who are going on sinning grace is given, as is
Saint Thomas Aquinas—Summa Theologica

A Discourse of the House and Forest of Lebanon
OF THE HOUSE OF THE FOREST OF LEBANON. ADVERTISEMENT BY THE EDITOR. That part of Palestine in which the celebrated mountains of Lebanon are situated, is the border country adjoining Syria, having Sidon for its seaport, and Land, nearly adjoining the city of Damascus, on the north. This metropolitan city of Syria, and capital of the kingdom of Damascus, was strongly fortified; and during the border conflicts it served as a cover to the Assyrian army. Bunyan, with great reason, supposes that, to keep
John Bunyan—The Works of John Bunyan Volumes 1-3

Adam and Zaretan, Joshua 3
I suspect a double error in some maps, while they place these two towns in Perea; much more, while they place them at so little a distance. We do not deny, indeed, that the city Adam was in Perea; but Zaretan was not so. Of Adam is mention, Joshua 3:16; where discourse is had of the cutting-off, or cutting in two, the waters of Jordan, that they might afford a passage to Israel; The waters rose up upon a heap afar off in Adam. For the textual reading "In Adam," the marginal hath "From Adam." You
John Lightfoot—From the Talmud and Hebraica

That the Ruler Should be a Near Neighbour to Every one in Compassion, and Exalted Above all in Contemplation.
The ruler should be a near neighbour to every one in sympathy, and exalted above all in contemplation, so that through the bowels of loving-kindness he may transfer the infirmities of others to himself, and by loftiness of speculation transcend even himself in his aspiration after the invisible; lest either in seeking high things he despise the weak things of his neighbours, or in suiting himself to the weak things of his neighbours he relinquish his aspiration after high things. For hence it is
Leo the Great—Writings of Leo the Great

Kings
The book[1] of Kings is strikingly unlike any modern historical narrative. Its comparative brevity, its curious perspective, and-with some brilliant exceptions--its relative monotony, are obvious to the most cursory perusal, and to understand these things is, in large measure, to understand the book. It covers a period of no less than four centuries. Beginning with the death of David and the accession of Solomon (1 Kings i., ii.) it traverses his reign with considerable fulness (1 Kings iii.-xi.),
John Edgar McFadyen—Introduction to the Old Testament

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