1 Kings 7:24
Below the rim, ornamental buds encircled it, ten per cubit all the way around the Sea, cast in two rows as a part of the Sea.
Below the rim
This phrase indicates the location of the decorative elements on the "sea," a large basin used in the temple. The "rim" refers to the upper edge of this massive structure. In the Hebrew context, the word for "rim" (שָׂפָה, "saphah") can also mean "lip" or "edge," suggesting a boundary or limit. This detail emphasizes the meticulous craftsmanship and design that went into the temple's construction, reflecting the divine order and beauty intended for worship spaces.

Gourds
The Hebrew word used here is "פְּקָעִים" (peka'im), which can refer to ornamental knobs or buds, often resembling the shape of gourds. These decorative elements symbolize fertility and abundance, common themes in ancient Near Eastern art. The use of gourds in the temple's design may signify God's provision and the prosperity of His people, reminding worshippers of the Creator's sustaining power.

Encircled it
This phrase describes how the gourds were arranged around the sea. The Hebrew root "סָבַב" (sabab) means to surround or encircle, indicating completeness and protection. This imagery can be seen as a metaphor for God's encompassing presence and care for His people, as well as the unity and harmony that should characterize the community of believers.

Ten per cubit
The specific measurement of "ten per cubit" highlights the precision and orderliness of the temple's construction. A cubit, an ancient unit of length, was approximately 18 inches or 45 centimeters. The number ten often symbolizes completeness or divine order in biblical numerology. This detail underscores the perfection and divine inspiration behind the temple's design, reflecting God's perfect nature.

They were cast
The process of casting these decorative elements involved pouring molten metal into molds, a technique requiring great skill and artistry. The Hebrew word "יָצַק" (yatsaq) means to pour or cast, emphasizing the craftsmanship involved. This process mirrors the idea of God as the divine craftsman, shaping and molding His creation with intention and care.

In two rows
The arrangement of the gourds in two rows suggests symmetry and balance, key elements in the temple's design. The number two can symbolize witness or testimony in biblical terms, perhaps indicating that the temple itself serves as a testament to God's glory and presence among His people.

When the sea was cast
The "sea" refers to the large basin used for ritual purification by the priests. The casting of the sea, a significant engineering feat, reflects the grandeur and importance of the temple. The Hebrew word for "sea" (יָם, "yam") can also mean a large body of water, symbolizing chaos and the unknown. In this context, the sea's casting represents God's sovereignty over chaos, bringing order and sanctity to His dwelling place.

Persons / Places / Events
1. Solomon
The king of Israel who commissioned the building of the temple and its furnishings, including the "Sea" mentioned in this verse.

2. Hiram
A skilled craftsman from Tyre, who was responsible for the bronze work in Solomon's temple, including the casting of the Sea.

3. The Sea
A large basin made of cast bronze, used for ceremonial washing by the priests in the temple. It symbolizes purity and cleansing.

4. Gourds
Decorative elements cast into the Sea, symbolizing abundance and God's provision.

5. The Temple
The central place of worship for Israel, representing God's presence among His people.
Teaching Points
Symbolism of Purity
The Sea represents the need for spiritual cleansing. Just as the priests washed before serving, we must seek spiritual purity through Christ.

God's Provision
The gourds symbolize abundance. Trust in God's provision for both physical and spiritual needs.

Attention to Detail in Worship
The intricate design of the temple furnishings reflects the importance of reverence and care in our worship practices.

Community and Service
The Sea was used by many priests, highlighting the communal aspect of worship and service in the body of Christ.

Legacy of Faithfulness
Solomon's dedication to building the temple serves as a reminder of the importance of leaving a legacy of faithfulness to God.
Bible Study Questions
1. How does the symbolism of the Sea in 1 Kings 7:24 relate to the concept of spiritual cleansing in the New Testament?

2. In what ways can we ensure that our worship today reflects the reverence and attention to detail seen in Solomon's temple?

3. How can the imagery of the gourds surrounding the Sea encourage us to trust in God's provision in our daily lives?

4. What lessons can we learn from the communal use of the Sea by the priests that apply to our involvement in church and community service?

5. How can Solomon's dedication to building the temple inspire us to leave a legacy of faithfulness in our own lives?
Connections to Other Scriptures
Exodus 30
Describes the bronze basin used for washing, which parallels the Sea's function in the temple.

2 Chronicles 4
Provides a parallel account of the temple furnishings, including the Sea, offering additional details.

John 2
Jesus' cleansing of the temple, which underscores the importance of purity and holiness in worship.

Revelation 4
The sea of glass before God's throne, symbolizing purity and the majesty of God's presence.
The LotusW. Balgarnie.
People
Boaz, David, Hiram, Huram, Jachin, Naphtali, Pharaoh, Solomon
Places
Hall of Judgment, Hall of Pillars, Hall of the Throne, House of the Forest of Lebanon, Jordan River, Most Holy Place, Succoth, Tyre, Zarethan
Topics
Beneath, Brim, Buds, Cast, Circling, Colocynths, Compass, Compassing, Completely, Cubit, Cubits, Edge, Encircled, Encircling, Enclosing, Encompassing, Flower, Gourds, Knobs, Knops, Lines, Liquid, Metal, Piece, Rest, Rim, Round, Rows, Surrounding, Ten, Thirty
Dictionary of Bible Themes
1 Kings 7:13-45

     5272   craftsmen

1 Kings 7:13-50

     4348   mining

1 Kings 7:23-24

     5516   sculpture

1 Kings 7:23-26

     4266   sea

1 Kings 7:23-33

     4312   bronze

Library
Gadara
There was a double Gadara. One at the shore of the Mediterranean sea: that was first called Gezer, 1 Kings 9:15. In Josephus, "Simon destroyed the city Gazara, and Joppe, and Jamnia."--And in the Book of the Maccabees, "And he fortified Joppe, which is on the sea, and Gazara, which is on the borders of Azotus." At length, according to the idiom of the Syrian dialect, Zain passed into Daleth; and instead of Gazara, it was called Gadara. Hence Strabo, after the mention of Jamnia, saith, "and there
John Lightfoot—From the Talmud and Hebraica

Hiram, the Inspired Artificer
BY REV. W. J. TOWNSEND, D.D. The Temple of Solomon was the crown of art in the old world. There were temples on a larger scale, and of more massive construction, but the enormous masses of masonry of the oldest nations were not comparable with the artistic grace, the luxurious adornments, and the harmonious proportions of this glorious House of God. David had laid up money and material for the great work, but he was not permitted to carry it out. He was a man of war, and blood-stained hands were
George Milligan—Men of the Bible; Some Lesser-Known

Whether any Preparation and Disposition for Grace is Required on Man's Part?
Objection 1: It would seem that no preparation or disposition for grace is required on man's part, since, as the Apostle says (Rom. 4:4), "To him that worketh, the reward is not reckoned according to grace, but according to debt." Now a man's preparation by free-will can only be through some operation. Hence it would do away with the notion of grace. Objection 2: Further, whoever is going on sinning, is not preparing himself to have grace. But to some who are going on sinning grace is given, as is
Saint Thomas Aquinas—Summa Theologica

A Discourse of the House and Forest of Lebanon
OF THE HOUSE OF THE FOREST OF LEBANON. ADVERTISEMENT BY THE EDITOR. That part of Palestine in which the celebrated mountains of Lebanon are situated, is the border country adjoining Syria, having Sidon for its seaport, and Land, nearly adjoining the city of Damascus, on the north. This metropolitan city of Syria, and capital of the kingdom of Damascus, was strongly fortified; and during the border conflicts it served as a cover to the Assyrian army. Bunyan, with great reason, supposes that, to keep
John Bunyan—The Works of John Bunyan Volumes 1-3

Adam and Zaretan, Joshua 3
I suspect a double error in some maps, while they place these two towns in Perea; much more, while they place them at so little a distance. We do not deny, indeed, that the city Adam was in Perea; but Zaretan was not so. Of Adam is mention, Joshua 3:16; where discourse is had of the cutting-off, or cutting in two, the waters of Jordan, that they might afford a passage to Israel; The waters rose up upon a heap afar off in Adam. For the textual reading "In Adam," the marginal hath "From Adam." You
John Lightfoot—From the Talmud and Hebraica

That the Ruler Should be a Near Neighbour to Every one in Compassion, and Exalted Above all in Contemplation.
The ruler should be a near neighbour to every one in sympathy, and exalted above all in contemplation, so that through the bowels of loving-kindness he may transfer the infirmities of others to himself, and by loftiness of speculation transcend even himself in his aspiration after the invisible; lest either in seeking high things he despise the weak things of his neighbours, or in suiting himself to the weak things of his neighbours he relinquish his aspiration after high things. For hence it is
Leo the Great—Writings of Leo the Great

Kings
The book[1] of Kings is strikingly unlike any modern historical narrative. Its comparative brevity, its curious perspective, and-with some brilliant exceptions--its relative monotony, are obvious to the most cursory perusal, and to understand these things is, in large measure, to understand the book. It covers a period of no less than four centuries. Beginning with the death of David and the accession of Solomon (1 Kings i., ii.) it traverses his reign with considerable fulness (1 Kings iii.-xi.),
John Edgar McFadyen—Introduction to the Old Testament

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