Song of Solomon 7:5
Commentaries
7:1-9 The similitudes here are different from what they were before, and in the original refer to glorious and splendid clothing. Such honour have all his saints; and having put on Christ, they are distinguished by their beautiful and glorious apparel. They adorn the doctrine of God their Saviour in all things. Consistent believers honour Christ, recommend the gospel, and convince and awaken sinners. The church resembles the stately and spreading palm; while her love for Christ, and the obedience resulting therefrom, are precious fruit of the true Vine. The King is held in the galleries. Christ takes delight in the assemblies and ordinances of his people; and admires the fruit of his grace in them. When applied to the church and to each faithful Christian, all this denotes that beauty of holiness, in which they shall be presented to their heavenly Bridegroom.

5. upon thee—the headdress "upon" her.

Carmel—signifying a well-cultivated field (Isa 35:2). In So 5:15 He is compared to majestic Lebanon; she here, to fruitful Carmel. Her headdress, or crown (2Ti 4:8; 1Pe 5:4). Also the souls won by her (1Th 2:19, 20), a token of her fruitfulness.

purple—royalty (Re 1:6). As applied to hair, it expresses the glossy splendor of black hair (literally, "pendulous hair") so much admired in the East (So 4:1). While the King compares her hair to the flowering hair of goats (the token of her subjection), the daughters of Jerusalem compare it to royal purple.

galleries—(so So 1:17, Margin; Re 21:3). But Maurer translates here, "flowing ringlets"; with these, as with "thongs" (so Lee, from the Arabic translates it) "the King is held" bound (So 6:5; Pr 6:25). Her purple crowns of martyrdom especially captivated the King, appearing from His galleries (Ac 7:55, 56). As Samson's strength was in his locks (Jud 16:17). Here first the daughters see the King themselves.

Song of Solomon 7:4
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